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观众在进入一家博物馆,要做的并非是重复观看日常的图像,而是去感受一种颠覆的力量。
左右滑动依次为
这两门课的特别之处
这两门课的主讲人,不是传统的博物馆讲解员,而是资深的一线学者。
他们有的在知名博物馆担任研究员,有的在相关领域深耕已久,可以说是最了解这些博物馆的人。
比如说,解读艾尔米塔什博物馆(冬宫)的邵大箴老师,他是中央美术学院教授,对艾尔米塔什博物馆的历史非常熟悉,对馆藏绘画也颇有研究,堪称艺术史学界的“师爷”级前辈。
艾尔米塔什博物馆(冬宫)
再比如,策划秦汉展的陈刚,他除了是南京博物院副研究员,还是大云山汉墓发掘者。既有理论知识,又有实战经验,由他来讲述马王堆汉墓帛画的故事,再合适不过。
站在巨人的肩膀上,我们才能看得更远。有了这些专家的引导,我们才能在观摩文物的过程中深得其法。
长时间涉猎碎片化信息,会让我们沉溺于虚假的成就感中,看似忙碌,实则无用。
而我们推出的这两门课,章节之间环环相扣,提纲挈领,除了让大家掌握必备的知识点,更致力于帮大家构建完善的知识体系,全面提升文物鉴赏水平。
《博物馆观看之道·世界篇——解密全球100件镇馆之宝》这门课,采用“先总后分”的逻辑,开篇由著名艺术史学者巫鸿教授,来解读博物馆的观看之道,让我们明白看真迹和原作的意义,再由其他学者讲述不同博物馆的特色,层层深入。
编辑:鞠欧